Sculptures

1. Essential mirroring

   1998. Bronze.

   Dimensions: 45x 12x 11cm.

   Mutual reflections of two worlds. Invisible world of eternal ideas and its visual materialization into so called real world. Conflict between extrasensory perception of hyperreality that overreaches us, and sensory perception of real-looking visual reality.  
   The reality being constantly questioned and relativized because - in its beauty and ugliness - it seems to be too harsh and material. 

   
   
   
   

2. Essential mirroring

   1998. Bronze.

   Dimensions: 45x 12x 11cm.

   Mutual reflections of two worlds. Invisible world of eternal ideas and its visual materialization into so called real world. Conflict between extrasensory perception of hyperreality that overreaches us, and sensory perception of real-looking visual reality.  
   The reality being constantly questioned and relativized because - in its beauty and ugliness - it seems to be too harsh and material. 

   
   
   
   

3. Essential mirroring

   1998. Bronze.

   Dimensions: 45x 12x 11cm.

   Mutual reflections of two worlds. Invisible world of eternal ideas and its visual materialization into so called real world. Conflict between extrasensory perception of hyperreality that overreaches us, and sensory perception of real-looking visual reality.  
   The reality being constantly questioned and relativized because - in its beauty and ugliness - it seems to be too harsh and material. 

   
   
   
   

4. A couple

   2003. Steel.

   Dimensions: 50x 20x 11cm.

   Figural composition minimized to basic aspects of horizontal-vertical spatial connections. Archetypal  schematism is a reflection of existential coordinates of both spiritual and materialistic dimensions of relationships. The couple remains an iconic starting point for strong human society.

   
   
   
   

5. Two worlds

   1998. Steel.

   Dimensions: 49x 49x 15cm.

   The spirit desires self-actualization and birth of a real person, after being activated and put into the real life. We are created and remodeled by our own systematic transformation. Breathe in – and out – and in...

   A struggle between real, often untold forms of self-definition and our notion of ourselves. Is it a cyclical process of losing  and discovering balanced life? No. Regular mental hygiene and active purposeful exercise.

   The spirit desires self-actualization and birth of a real person. It desires to be activated into genuine life. In spite of all the destructive processes we are exposed to, we still exist. Staying on the search path in the pursuit of catharsis - in the process of continual transformation in periodical cycles of existence and relative nonexistence. We are created and remodeled by our own systematic transformation. Breathe in – and out – and in…

   
   
   
   

6. Stellar head

   1997. Bronze.

   Dimensions: 45x 25x 16cm.

   An accidentally found object cast into bronze. Head of a wooden pillar from a palisade reinforcing the bank of Danube River close to Slovak National Gallery in Bratislava.  

    

   
   
   
   

7. Job's head

   1995. Marble – steel.

   Dimensions: 38x 24x 24cm.

   During the Jewish Cemetery restoration in Šaľa I have found a piece of a tombstone in the construction waste. I have picked it up and – being annoyed by the situation - I have created an expressive head of Job. This is how an accidentally found fragment of an unknown tombstone has become an artifact.   

   
   
   
   

8. A condor and a swan

   2011. Steel. polyester.

   Dimensions: 110x 100x 120cm.

   Power ambitions of world-ruling circles and constellations of world-powers do not change. The world equilibrium is based on mutually complemented opposites of power or intellectual interests. Dominance of the aggressor and the submissiveness or complaisance of the oppressed is relative. Both strength and weakness are always only apparent. However, the aggression is most of all self-defeating. 

   
   
   
   

9. Picas/sos

   1995 – 2011. Assemblage.

   Dimensions: 113x 47x 42cm.

   I have been gradually working on the Picas-sos assemblage for 16 years. It's nice to turn back in time, finish a work started long ago and not care about the conventional views of contemporaries or critics.   

   
   
   
   

10. Against the mainstream

    1996 – 98. Bronze.

    Dimensions: 29x 35x 17cm.

    The Against the mainstream sculpture is the reaction to international intermedia tendencies of the mainstream art of the 90's. Starting by negating proven traditional values and practices, later negating modern practices and finally negating itself. In the sense of minimizing personal creative commitment – meaning: less is more – it has overcome to another stage, meaning: less x less is the most. What if almost nothing is left at the end?!   
    The totalitarian aspect of tendentious mainstream trends might only be mirroring the actual state of the society.

    
    
    
    

11. Psychotropically perceived dancer

    2003. Steel, polyester.

    Dimensions: 300x 60x 80cm.

    A dancer perceived by human's eyes under extended consciousness. States of extended consciousness induced by the technique of holotropic breathing can be willfully and intuitively regulated – without any danger of chemical intoxication, without addiction or abstinence symptoms and without any psychosomatic effects.  

    
    
    
    

12. Leaving the nest

    1997-98. Bronze.

    Dimensions: 45x 12x 11cm.

    After you grow up, leave your home before your wings lose the ability to fly - or somebody clips them. The new door can be opened only after the old one is closed.   

    
    
    
    

13. Yellow Lady

    2010. Polyester.

    Dimensions: 480x 100x 80cm.

    Strange housing policy, purchasing capacity of citizens, eccentric “centralization” of economics, relative disproportion of particular regions, impoverished peripheral regions, migration policy vs. marginalization of support of domestic population and Slovak families.     

    
    
    
    

14. Yellow Lady

    2010. Polyester.

    Dimensions: 480x 100x 80cm.

    Strange housing policy, purchasing capacity of citizens, eccentric “centralization” of economics, relative disproportion of particular regions, impoverished peripheral regions, migration policy vs. marginalization of support of domestic population and Slovak families.     

    
    
    
    

15. Breathing

    Pneumatic interactive object. 1999.

    Combined technique.

    Dimensions: 150x 100x 100cm. 

    The pneumatic interactive object Breathing depicts the cyclical transformation of globular form of a sphere into an archaic, primitive atomic structure, and vice versa. In the bowels of a huge balloon there is a carrying atomic skeleton, to which the air balloon is gradually fastened by the sucking the air (creating vacuum), and the elastic surface is taking the shape of a solid skeleton in its inside. The entire cycle in each stage of the transformation evokes the breathing process as a metaphor of birth, gradual transformation, extinction and re-birth.

    
    
    
    

16. Embryonal space modulator

    2005. Stainless steel.

    Dimensions: 120 x 65 x 60cm. 

    
    
    
    

17. Uncle Villi

    1996. Gipsum. 

    Dimensions: 51x 31x 30cm.

    
    
    
    

18. My sister

    1996. Ceramic. 

    Dimensions: 25x 31x 41cm.
     

    
    
    
    

19. Lady RAY

    2004. Stainless steel.

    Dimensions: 250x 60x 55cm.

    
    
    
    

20. The Tamer of extremism

    2015, Kombi. technique.

    Dimensions: h.350x w.300x d.180cm.

    
    
    
    

21. Heart of mankind

    2008- 2015. Kombined technique. 

    Dimensions: h.100x w.75x d.0,5cm.

    
    
    
    

22. Hand of Providence

    2015. Combined technique. 

    Dimensions: h.205x w.80x l.115cm

    
    
    
    

23. A political truth announcer

    1999-2013. Combined technique.

    Dimensions: h.84x w.38x d.9cm.